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14
December 2017
Thursday
7:00 PM
NFM, Chamber Hall
Plac Wolności 1, 50-071 Wrocław
Surrealistic Five
Performers:

Surrealistic Five:
Maria Machowska – violin
Michał Szałach – violin
Artur Rozmysłowicz – viola
Filip Syska – cello
Bartłomiej Wezner – piano

Programme:

F. Schubert Adagio and Rondo concertante F-dur for violin, viola, cello and piano D. 487
Z. Bargielski Schizofonia for string quartet and piano 
***
R. Schumann Piano Quintet in E flat major Op. 44 

The Surrealistic Five chamber ensemble is a piano quintet established by young musicians from the Feliks Nowowiejski Academy of Music in Bydgoszcz and the Fryderyk Chopin University of Music in Warsaw.

Manuel Martínez Burgos was born in Madrid in 1970. He completed degrees in Composition, Orchestral Conducting, Pedagogy and Musicology at el Real Conservatorio Superior de Música. Martinez Burgos went on to attend the Ferienkurse für Neue Musik in Darmstadt under the tutelage of K. Stockhausen, W. Rihm and K. Huber before pursuing coursework at the Institut de Recherche et Coordination Acoustique/Musique, in Paris. Additionally, he earned a PhD in Philosophy of Music History and Science, from la Universidad Autónoma de Madrid.  Since 2001 he has served as a professor of Composition at el Real Conservatorio Superior de Madrid, where he also served a three-year term as Vice Principal.

Robert Schumann delved head first into chamber writing in the year 1842. He completed the three string quartets of Op. 41 in two months during the summer, the Piano Quintet in E-flat, Op. 44, during the next six weeks, and the Piano Quartet, Op. 47 in the autumn. The piano parts for all these works were written for his wife Clara, who was one of Europe's leading solo pianists at the time, and he dedicated the quintet to her. Clara herself performed the piano part, joined by the Gewandhaus Quartet, for the premiere public performance of the quintet, on January 8, 1843, at the Gewandhaus.

Richard Aldrich wrote in 1929’s Cobbett’s Cyclopedic Survey of Chamber Music, “Schumann’s chamber music of 1842 is in many ways among the most perfect of all the products of his genius; the purest and most powerful in its beauty, the strongest in its form, best balanced in its substance, and best adapted in its technical means and processes to the expression of the composer’s thought. There is little that seems tentative, experimental, or uncertain in touch. He entered, to all appearances, full-fledged and confident upon the difficult and problematic art of chamber music.”

 

 

Alixandra Porembski, English Language Annotator

Tickets:
SEAT TYPE KINDS OF TICKETS PRICES
VIP
  • VIP
50 PLN
Normal
  • Normal ticket
  • Reduced ticket
  • Normal ticket
30 PLN
20 PLN
5 PLN

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The National Forum of Music, plac Wolności 1, 50-071 Wrocław, co-managed by the Minister of Culture and National Heritage, City of Wrocław and Lower Silesian Province, registered in Rejestr Instytucji Kultury run by the City of Wrocław as RIK 38/2014.

Patrons:

Wdrożenie e-usług w Filharmonii im. Witolda Lutosławskiego we Wrocławiu - etap 2 współfinansowany jest przez Unię Europejską ze środków Europejskiego Funduszu Rozwoju Regionalnego w ramach Regionalnego Programu Operacyjnego dla województwa dolnośląskiego na lata 2007 - 2013 oś priorytetowa 6. Wykorzystanie i promocja potencjału turystycznego o kulturalnego Dolnego Śląska (Turystyka i Kultura), działanie 6.5. Działania wspierające infrastrukturę turystyczną i kulturową.