The Hidden Face of the Renaissance – the art of ornamentation (Byzantine chant, Renaissance plainchant, Corsican chant)
Leta devote - Franciscan manuscript from Corsica (end of the 16th c.)
Officium: Alleluia, ortus conclusus - Mozarabic plainchant Toledo (end of the 15th c.)
Gloria in excelsis Deo (Tol.B fol.115)
Benedictus es (Hymn of the Three Innocents)
Psallendo: In omnem terram exivit sonus eorum
Epistle of St Paul - Byzantine chant in Greek
Le sette Galere – Corsican plainchant (mid-16th c., oral tradition)
Alleluia: Videant paupers – Mozarabic plainchant, Toledo (end of the 15th c.)
Prologue to the Gospel according to St John - Roman tradition
Oi ta Chèrouvim (Cherubic hymn) – Byzantine plainchant (16th c.)
Paschalis admirabilis – Franciscan manuscript from Corsica (end of the 16th c.)
L'Alcudina – Original bucolic monody from the village of Zicavo
Tantum ergo – Franciscan manuscript from Corsica (end of the 16th c.)
Marcel Pérès – artistic director
Ensemble Organum