NOTE! This site uses cookies and similar technologies.

Like most websites, we use cookies to facilitate online booking and to ensure we give you the best possible experience on our website. If you continue without changing your settings, we'll assume you're happy to receive cookies. You can learn more about changing your settings in our Privacy Policy.

Accept & close
20
May 2018
Sunday
6:00 PM
NFM, Main Hall
Plac Wolności 1, 50-071 Wrocław
Israel in Egypt
Performers:

Wolfgang Kostner – conductor
Maria Erlacher, Susanne Langbein – sopranos
Markus Forster – alto
Markus Schäfer – tenor
Thomas Stimmel, Peter Strömberg – bass
vokalensemble Novo Canto
Wrocław Baroque Orchestra
Jarosław Thiel – artistic director

Programme:

G.F. Handel  Israel in Egypt  HWV 54

Vocalensemble NovoCanto / fot. archiwum

Jarosław Thiel is a graduate of the Poznań School of Talents. He studied cello at both the Academy of Music in Poznań and the Academy of Music in Łódź, Poland. Since 1997, he has been focused on historical performance. He completed his post-graduate studies in Baroque cello at the Universität der Künste in Berlin, having worked with Phoebe Carrai and  Markus a Möllenbeck. Thiel has participated in master classes run by Christine Kypranides at the Dresdner Akademie für Alte Musik and has collaborated with the most important Polish ensembles specialising in early music. Thiel has been the first cellist with the Dresdner Barockorchester and a member of the Festspiel Orchester Göttingen led by Laurence Cummings since 2000. He also works with leading German ensembles, such as Cantus Cölln, Akademie für Alte Musik Berlin, and Lautten Compagney. He regularly performs as a soloist and chamber musician in connection with festivals of early music worldwide. He currently teaches Baroque cello at the Academy of Music in Poznań and the Summer Academy of Early Music in Lidzbark Warmiński, Poland.  In 2006 he was appointed Artistic Director of the Wrocław Baroque Orchestra.

Novo Canto was founded in 2000 by artists from the Tyrol region of Austria. Most members of the ensemble received their training from either the University Mozarteum or the Tyrolean Academy of Music. Many currently serve as vocal coaches and teachers, and perform as soloists. Novo Canto is particularly passionate about presenting relatively unknown vocal music from before 1800. 

George Frideric Handel composed Israel in Egypt between October and November 1738. The work premiered at London’s King’s Theatre in the Haymarket on April 4, 1739. Following the first performance, Handel immediately revised the piece and subsequently became a favourite among the choral repertoire.

The majority of Handel’s works are operatic in style with many based on stories from the Old Testament. The composer broke from his predecessors in his preference for the English language and dramatic use of the chorus. Handel’s oratorios were unique in that they portrayed the drama of popular biblical stories to Londoners in their native language. Moreover, Handel’s interpretations of the heroes in ancient Israel were rare works of art that portrayed Jews favourably. Thus, London’s Jewish population responded with great enthusiasm.

Israel in Egypt and Messiah are the only compositions by Handel that are drawn directly and exclusively from the biblical text, without paraphrases or interpretations. The libretto is taken from the book of Exodus along with passages from Psalms 105 and 106, which tell the story of the Israelites’ slavery in Egypt, the advent of Moses, the plagues, and the crossing of the Sea of Reeds and consequent exultant song of praise. The plagues inspired Handel to create some of his most colourful word painting, bringing to life, sounds of the hopping of frogs, buzzing flies, and pounding hail, as well as creating eerie darkness.

Handel’s contemporaries freely borrowed material from Israel in Egypt and modified it for their own compositions, as Handel himself had done in creating the piece. During its composition, Handel not only adapted music he had previously written but drew from colleagues, Alessandro Stradella, Johann Caspar Kerl and Don Dionigi Erba. However, in each case, Handel revised and significantly improved the source material. In fact the chorus He Gave Them Hailstones is a sinfonia and bass aria from Stradella’s Serenata.

 

 

 Alixandra Porembski, English Language Annotator 

Tickets:
SEAT TYPE AVAILABILITY KINDS OF TICKETS PRICES
VIP Only a few seats left
  • Bilet VIP
50 PLN
zone I Available
  • I kat - Bilet normalny
  • I kat - Bilet ulgowy
  • 15 zł z Kartą Melomana
35 PLN
25 PLN
15 PLN
zone II Available
  • II kat - Bilet normalny
  • II kat - Bilet ulgowy
  • NFM dla Młodego Muzyka
30 PLN
20 PLN
10 PLN
zone III Available
  • III kat - Bilet normalny
  • III kat - Bilet ulgowy
  • NFM dla Młodego Muzyka
25 PLN
15 PLN
10 PLN

Similar events

25
April 2018 | Wednesday
Orchestral concerts
NFM, Main Hall
Philharmonia Orchestra
 
Last tickets: 31
28
April 2018 | Saturday
Orchestral concerts
Oratorium Marianum
Tabula Rasa
 
11
May 2018 | Friday
Orchestral concerts
NFM, Main Hall
The Firebird
 
12
May 2018 | Saturday
Orchestral concerts
NFM, Red Hall
Shaker Loops
 
18
May 2018 | Friday
Orchestral concerts
NFM, Main Hall
Bernstein, Barber, Copland
 
25
May 2018 | Friday
Orchestral concerts
NFM, Main Hall, reversed stage
Polish Baroque Masterworks
 
01
June 2018 | Friday
Orchestral concerts
NFM, Main Hall
First Lady of the Piano | Elisabeth Leonskaja
 
09
June 2018 | Saturday
Orchestral concerts
NFM, Main Hall
Carmina burana | Closing of the NFM Wrocław Philharmonic Season
 

The National Forum of Music, plac Wolności 1, 50-071 Wrocław, co-managed by the Minister of Culture and National Heritage, City of Wrocław and Lower Silesian Province, registered in Rejestr Instytucji Kultury run by the City of Wrocław as RIK 38/2014.

Patrons:

Wdrożenie e-usług w Filharmonii im. Witolda Lutosławskiego we Wrocławiu - etap 2 współfinansowany jest przez Unię Europejską ze środków Europejskiego Funduszu Rozwoju Regionalnego w ramach Regionalnego Programu Operacyjnego dla województwa dolnośląskiego na lata 2007 - 2013 oś priorytetowa 6. Wykorzystanie i promocja potencjału turystycznego o kulturalnego Dolnego Śląska (Turystyka i Kultura), działanie 6.5. Działania wspierające infrastrukturę turystyczną i kulturową.