Anastasia Kobekina is one of the most promising cellists of the young generation. Described in the Italian edition of Le Figaro as a “peerless musician”, she is known for her excellent technique, sophisticated interpretations and captivating stage presence. During the recital, the artist, accompanied by pianist Jean-Selim Abdelmoula, will reach for works that are true gems of chamber music, such as Ludwig van Beethoven’s Cello Sonata or Robert Schumann’s Fantasiestücke op. 73.

The 1840s were a fertile period for Robert Schumann. At that time, the composer wrote many pieces with a delightful, genuinely Romantic touch, monumental symphonies and numerous instrumental works. It was also the time of his turn towards chamber music. In this vein, the subtle Fantasiestücke op. 73  brings to mind a musical, lyrical illustration of a dream. This piece was originally titled Soiréestücke (“evening piece”) and was intended for clarinet and piano. Later, Schumann indicated that the part of the first instrument could also be performed by violin or cello.

Cello Sonata No. 3 in A major op. 69 is the third in a cycle of five works for cello and piano in the oeuvre of the youngest of the Viennese Classicists – Ludwig van Beethoven. It was composed in 1807-1808, i.e. in the period in which Beethoven’s style acquired a highly individual character. Harbingers of Romanticism can be heard in the sonata: the composer opts for a melodic cantilena while simultaneously dynamically expanding the means of expression of both instrumental parts, which reveals his focus on symphonic music in that period. And not without reason – during this time he also composed the legendary Symphony No. 5 in C minor op. 67 and Symphony No. 6 in F major op. 68 “Pastoral”.

Anastasia Kobekina’s recital will also feature a Polish work, in the form of the graceful and light Serenade in G major by Mieczysław Karłowicz. The piece was composed in March 1896 and was adapted in various ways, including for a symphony orchestra. Kobekina’s performance will be crowned by the sounds of César Franck’s Violin Sonata in A major, a pillar of the Romantic violin repertoire since the end of the 19th century. Created as a wedding gift for the famous Belgian composer and violinist Eugène Ysaÿe, today it functions not only as a work for violin, but also in an arrangement for cello and piano.