Veni in hortum meum – the earliest settings of The Song of Songs:
Vox dilecti – antiphon (Tegernsee, 15th c.)                     
Tota pulchra/Tenor – motet (Germany, 14th c.)                
Salve nobilis V. Odor tuus – responsorium with a polyphonic verse (Graz, 14th c.) 
Flos regalis – cantilena (England, 14th c.)                    
Epithalamia – prosa (Canterbury?, England, 11th/12th c.) 
Meliora sunt – antiphon (Silesia, 15th c.)
Meliora sunt – two-part antiphon (Island, 16th c.)
Epithalamia-Estampie – instrumental piece                
Veni dilecte – liturgical drama (Ratisbon, 12th c.)            
Pierre Abélard Epithalamica – prosa (Nevers, 12th c.)
Tamquam sponsus – three-part antiphon (Silesia, 15th c.)
Estampie                                        
Hildegard von Bingen? Sicut malum – antiphon (Rheinland, 15th c.)
Descendi in hortum meum/ALMA – two-part motet (Germany, 14th c.) 
Anima mea liquefacta est/ Descendi in hortum meum/ALMA  – three-part motet (Paris, 13th c.)
Bruno di Segni Quis est hic (Italy, 11th c.)
In lectulo meo – antiphon (Tegernsee/Bavaria, 15th c.)    
Fulcite me floribus – two-part antiphon (Germany, 14th c.)            
Venit dilectus meus in ortum suum – antiphon (England, 14th c.)
Venit dilectus meus in ortum suum – three-part antiphon (England, 15th c.)

ensemble Peregrina:
Agnieszka Budzińska-Bennett – voice, harp, artistic direction
Lorenza Donadini – voice
Grace Newcombe – voice, harp
Sabine Lutzenberger – voice
Tessa Roos – voice
Matthieu Romanens – voice
Baptiste Romain – fiddle