Lioel Sow / photo: Łukasz Rajchert
Choral concerts
Van Gogh in Me
04.02
Wed.
7:00 PM
Programme:

C. Saint-SaënsDeux choeurs op. 68: Calme de nuits; Les fleurs et les arbres
C. Debussy Trois chansons de Charles d’Orléans; Les Angélus (arr. C. Gottwald), Des pas sur la neige (arr. C. Gottwald)          

E. Satie Gymnopédie no. 1 (arr. W. Knight)          
A. Mahler Die stille Stadt and Laue Sommernacht from Drei frühe Lieder (arr. C. Gottwald)
G. Mahler Im Abendrot (Adagietto from Symphony No. 5 in C sharp minor, arr. C. Gottwald)          
R. Strauss Traumlicht from Drei Männerchöre TrV 270                
G. Mahler Ich bin der Welt abhanden gekommen from Rückert-Lieder (arr. C. Gottwald)
A. Schönberg Dreimal tausend Jahre op. 50a; Friede auf Erden op. 13

 

 

Performers:

Lionel Sow – conductor 
Natalia Kiczyńska
– soprano 
Joanna Rot, Ewelina Wojewoda
– alto 
Adam Cieślak
– tenor 
Grzegorz Zajączkowski
– bass 
NFM Choir

Original concept by the Netherlands Chamber Choir in coproduction with fuse*  
Musical concept, curator and director Tido Visser 
Visual concept, design and creative coding fuse* 
With thanks to Van Gogh Museum and Belvedere. 
Technical production TOT 

Duration:
70 minutes
Venue:
plac Wolności 1, 50-071 Wrocław
Pricelists:
from 15 to 105 zł
 

Van Gogh in Me is an incredible multimedia project that will transport us to the artistically utopian and forever lost Belle Époque. This time, we will meet not only with composers but also with famous painters from the turn of the century: Vincent van Gogh and Gustav Klimt. Celebrating its twentieth anniversary, the NFM Choir will perform as part of a 2022 project commissioned by the Netherlands Chamber Choir and museums in Vienna and Amsterdam.

The event spans two of the arts capitals of pre-World War I Europe: Paris and Vienna. In addition to the painters mentioned above, in these cities the featured composers were active, too. Camille Saint-Saëns, Claude Debussy, and Erik Satie filled the concert halls and salons of the Third French Republic with their music. Over time, their work was more and more saturated with light. Pieces such as Debussy’s Trois chansons de Charles d'Orléans were characterised by lightness and vivid colours. Meanwhile, Alma and Gustav Mahler, Richard Strauss, and Arnold Schönberg, who were unquestioned celebrities in the German-speaking music circles, peered ever deeper into the darkness of the soul. Gustav Mahler’s song Ich bin der Welt abhanden gekommen expresses the infinite longing for a decadent nirvana.

During the concert, paintings from the era of the featured composers (as well as historical photographs) will be brought to life through advanced computer and biometric techniques. The Italian multimedia studio fuse* is responsible for the technology used, which allows for the modulation of images using data collected live. This data is sourced not only from the music but also from the audience’s emotions, the performers, and the conductor’s movements. Renowned masterpieces of painting are re-created live, bursting with new colours and dissolving in sound. And all this thanks to four million digital micro-brushes, the NFM Choir and… the audience!

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