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January 2019
11:00 AM
NFM, Black Hall
plac Wolności 1, 50-071 Wrocław

NFM Orchestra Academy Open Rehearsal


Janusz Wawrowski – violin & direction
Particiapants of NFM Orchestra Academy


E. Grieg Suite op. 40 'Holberg Suite' 

Janusz Wawrowski / fot. Michał Mutor


Janusz Wawrowski, born in Konin, attended Frederick Chopin University of Music, in Warsaw, under Mirosław Ławrynowicz. As a student, his studies were supported by the Polish Ministry of Culture. He won first prize at the Stanislaw Serwaczynski National Competition of Young Violinists. Mr Wawrowski has an ongoing collaboration with pianist Robert Morawski and has served as the artistic director of the Music on the Heights International Chamber Music Festival, in Zakopane. He made his recording debut in 2007, releasing an album of Paganini's 24 Caprices, Op. 1 by Polish Radio and Television, which was reissued by Warner Classics. In 2013, he recorded the album Aurora for EMI Classics and in 2016 Sequenza, a collection of virtuoso works of the 20th and 21st centuries, for Warner Classics. These were followed in 2017, by his album, Brillante, pairing works by Henryk Wieniawski and Max Bruch. Wawrowski currently serves as a lecturer at Frederick Chopin University.

Norwegian composer, Edvard Grieg, composed The Holberg Suite in the summer of 1884, as a commission for the celebration of the bicentennial birthday of writer, Ludvig Baron Holberg. During the early 18th century, the Danish poet-dramatist had brought Scandinavia to the forefront in European theatrical circles. His comedies were so cleverly humorous that he was called “the Molière of the North.” Norway claimed Holberg as their own, due to the fact that, for a time, he had resided in Bergen, Edvard Grieg’s hometown. Because Holberg was a contemporary of Bach and Handel, Grieg chose to compose this 20-minute composition in the style of a Baroque dance suite. Written in five short movements, the work originally composed for piano consists of an introduction and a set of dances. The form and melodies of The Holberg Suite reflect a Baroque style, yet the lush string writing and rich Romantic harmonies were drawn from the composer’s own era. Grieg called this work “my powdered-wig piece.” The suite remains in the repertoire frequently performed by contemporary string orchestras.



Alixandra Porembski, English Language Annotator

  • entrance ticket

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