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13
March 2020
Friday
7:00 PM
NFM, Main Hall
plac Wolności 1, 50-071 Wrocław

The Seven Gates of Jerusalem

Performers:

Krzysztof Penderecki – conductor
Maciej Tworek – 2nd conductor
Iwona Hossa – soprano
Karolina Sikora – 2nd soprano 
Anna Lubańska – mezzo-soprano
Adam Zdunikowski – tenor
Piotr Nowacki – bass
Sławomir Holland – narrator
Choir TBC
NFM Choir
Agnieszka Franków-Żelazny – artistic director of the NFM Choir
NFM Wrocław Philharmonic

Programme:

K. Penderecki Symphony No. 7  'The Seven Gates of Jerusalem' for 5 soloists, narrator, 3 mixed choirs and orchestra 

Krzysztof Penderecki / fot. Bruno Fidrych

Despite its monumental character, a mighty vocal-instrumental line-up, serious challenges for five singers, and logistical problems related to the orchestra's placement on the stage and beyond, Symphony No. 7 "Seven Gates of Jerusalem" by Krzysztof Penderecki remains one of the composer's most frequently performed works.

The powerful symphony was created to celebrate three thousand years of Jerusalem. It was first performed in this city in January 1997 under the baton of the outstanding American conductor Lorin Maazel. The importance of the number seven translates into many aspects of this work: it consists of seven parts, many fragments are kept in 7/4 metre, the main theme of passacaglia in the 2nd and 4th movements begins with the main sound being repeated seven times, and the whole work is crowned with as many repetitions of an E major chord. In addition to the full-scale episodes intended for the entire composition, we also find in this work a part that is performed only by an a cappella choir, it is a setting of the De Profundis psalm. Specially for the symphony, Penderecki constructed a new instrument, a tubaphone. It consists of PVC pipes of various lengths and thicknesses, on which you play with pallets made of ping-pong rackets with glued foam. The sounds of this instrument give dynamism to the fifth movement of the work, Lauda, Jerusalem, Dominum. The sixth part is eerie in its expression, in which the narrator recites excerpts from the Book of Ezekiel in Hebrew. It is accompanied by various orchestral special effects, as well as the sound of a bass trumpet coming from above, symbolizing the voice of God. The seventh movement is a triumphant apotheosis, with fragments of psalms and Old Testament books of the prophets are recited.

Krzysztof Penderecki has been a conductor regularly since the 1970s, conducting both his own works and the works of other composers. The performance of the "Seven Gates of Jerusalem" under his direction is undoubtedly one of the biggest attractions of the current season at the NFM.
 

Tickets:
SEAT TYPE AVAILABILITY KINDS OF TICKETS PRICES
VIP Not available
  • VIP Ticket
80 PLN
I kategoria Not available
  • Zone I Normal Ticket
  • Zone I Reduced Ticket
60 PLN
50 PLN
II kategoria Not available
  • Zone II Normal Ticket
  • Zone II Reduced Ticket
  • NFM For Young Musicians
50 PLN
40 PLN
20 PLN
III kategoria Not available
  • Zone III Normal Ticket
  • Zone III Reduced Ticket
  • NFM For Young Musicians
40 PLN
30 PLN
20 PLN
VIP Room Only a few seats left
  • VIP Room
70 PLN
Sala Zabaw Only a few seats left
  • NFM dla Rodziców - Sala Zabaw
10 PLN
Bilet VIP Room gwarantuje wstęp do sali VIP Room na godzinę przed rozpoczęciem koncertu i ważny jest tylko z biletem na koncert.

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NFM – City of Wrocław institution of culture co-managed by:

Wdrożenie e-usług w Filharmonii im. Witolda Lutosławskiego we Wrocławiu - etap 2 współfinansowany jest przez Unię Europejską ze środków Europejskiego Funduszu Rozwoju Regionalnego w ramach Regionalnego Programu Operacyjnego dla województwa dolnośląskiego na lata 2007 - 2013 oś priorytetowa 6. Wykorzystanie i promocja potencjału turystycznego o kulturalnego Dolnego Śląska (Turystyka i Kultura), działanie 6.5. Działania wspierające infrastrukturę turystyczną i kulturową.