Veriko Tchumburidze / fot. Dunya Aslan
Veriko Tchumburidze / fot. Dunya Aslan
Orchestral concerts
Tchumburidze Plays Dvořák
05.03.2021
Fri.
7:00 PM
NFM, Main Hall
Programme:

A. Dvořák Violin Concerto in A minor op. 53
M. Wajnberg Chamber Symphony No. 1  op. 145

The project is part of the commemoration of regaining independence and rebuilding Polish statehood. 

Co-founded from the founds by: and the ‘Creative Europe’ Programme of the European Union

Performers:

Michał Klauza – conductor
Veriko Tchumburidze – violin
NFM Wrocław Philharmonic

Venue:
NFM, Main Hall
plac Wolności 1, 50-071 Wrocław
Pricelists:
from 35 to 65 zł

A Romantic concert by one of the greatest melodists in the history of music and a symphony by a composer who has only now taken his rightful place in the panorama of 20th century composers – we will hear these works performed by the NFM Wrocław Philharmonic. The evening will be graced by the outstanding violinist Veriko Tchumburidze – winner of the 15th International H. Wieniawski Violin Competition in Poznań.

Antonín Dvořák’s Violin Concerto in A minor is one of the most popular pieces composed in the Romantic era and intended for this instrument. The work was inspired by a meeting with the famous violinist Joseph Joachim, to whom the Czech composer wanted to dedicate it and entrust its premiere. However, the conservative virtuoso was dissatisfied with Dvořák’s non-standard ideas, so he deceived the composer by arguing that he took a long time to learn the solo part in this piece. An impatient Dvořák finally entrusted the world premiere to his countryman František Ondříček, and Joachim never was to play the concerto. The piece is surprisingly light and melodic. The listener is seduced by the charm of singing melodies and the extraordinary creativity of the Czech genius.

Born in Warsaw in 1919, Mieczysław Wajnberg left us a very rich and varied output, including over one hundred and fifty compositions. The four-movement Chamber Symphony No. 1, intended for strings, is a late work, written in 1987. It is a Neo-classicist piece that testifies to the great melodic inventiveness of Wajnberg. The mood of this composition is cheerful, almost funny, only in the slow second movement there are more painful and disturbing accents.

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