Hina Maeda / fot. L. Zadoń
Hina Maeda / fot. L. Zadoń
Orchestral concerts
Prize Winners of the 16th International Wieniawski Violin Competition
25.11.2022
Fri.
7:00 PM
NFM, Main Hall
Programme:

K. Szymanowski Nocturne et Tarantelle op. 28 (arr. G. Fitelberg)
J. Brahms Violin Concerto in D major op. 77 (performed by Meruert Karmenova)
***
L. Różycki Stańczyk – symphonic scherzo op. 1
H. Wieniawski Violin Concerto No. 2 in D minor op. 22 (performed by Hina Maeda)

The concert is a part of the official tour of the prize winners of the 16th International Henryk Wieniawski Violin Competition, organised by the Henryk Wieniawski Society in co-operation with the National Institute of Music and Dance, financed by the Ministry of Culture and National Heritage of the Republic of Poland.

Performers:

Marek Wroniszewski – conductor
Hina Maeda* – violin 
Meruert Karmenova** – violin
NFM Wrocław Philharmonic

*1st prize winner of the 16th International H. Wieniawski Violin Competition

**2nd prize winner of the 16th International H. Wieniawski Violin Competition

Duration:
110 min
Venue:
NFM, Main Hall
plac Wolności 1, 50-071 Wrocław
Tickets:
from 40 to 150 zł

The International Henryk Wieniawski Violin Competition is the oldest event of this type in the world and has for decades attracted great interest of music lovers. Tonight, the prize winners of this year's competition will perform in the NFM Main Hall, playing violin concertos with the NFM Wrocław Philharmonic conducted by Marek Wroniszewski. The repertoire also includes compositions by Karol Szymanowski and Ludomir Różycki, who were friends.

The Nocturne and Tarantella op. 28 by Karol Szymanowski is a work that belongs to a lighter trend in the composer’s oeuvre. Originally it was intended for violin and piano. It is a pastiche of virtuoso pieces that were popular in the 19th century, stylised as Romani and Italian music. The first movement of the diptych delights with turns characteristic of Eastern music, while the tarantella – with effective spontaneity. Despite various stylistic references, the common denominator of both movements is Szymanowski’s innovative sound language. In 1937, Grzegorz Fitelberg arranged it for symphony orchestra, and it is in this version that it will be performed during the concert.

The symphonic scherzo Stańczyk by Ludomir Różycki was written in 1904, and the inspiration for its creation was a portrait of the famous royal jester by Jan Matejko. The work is characterized by a colourful instrumentation and clearly refers to the late Romantic style of the works of Richard Wagner and Richard Strauss. It has an important place in Różycki’s oeuvre, as it was his composing debut.

 

 

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