The Hidden Face of the Renaissance – the art of ornamentation (Byzantine chant, Renaissance plainchant, Corsican chant)

Leta devote - Franciscan manuscript from Corsica (end of the 16th c.)
Officium: Alleluia, ortus conclusus  - Mozarabic plainchant Toledo (end of the 15th c.)
Gloria in excelsis Deo  (Tol.B fol.115)
Benedictus es  (Hymn of the Three Innocents)
Psallendo: In omnem terram exivit sonus eorum
Epistle of St Paul - Byzantine chant in Greek
Le sette Galere – Corsican plainchant (mid-16th c., oral tradition)  
Alleluia: Videant paupers – Mozarabic plainchant, Toledo (end of the 15th c.) 
Prologue to the Gospel according to St John  - Roman tradition 
Oi ta Chèrouvim (Cherubic hymn) – Byzantine plainchant (16th c.) 
Paschalis admirabilis – Franciscan manuscript from Corsica (end of the 16th c.) 
L'Alcudina – Original bucolic monody from the village of Zicavo 
Tantum ergo – Franciscan manuscript from Corsica (end of the 16th c.)  

Marcel Pérès – artistic director
Ensemble Organum