Dresdner Kammerchor / fot. materiały prasowe zespołu
Orchestral concerts
Ein feste Burg ist unser Gott
14.10.2017
Sat.
6:00 PM
NFM, Red Hall
Programme:

J.S. Bach Gott der Herr ist Sonn und Schild – cantata BWV 79, Ein feste Burg ist unser Gott – cantata BWV 80
***
J.S. Bach Missa brevis in F major BWV 233

The concert is part of the 500 years of Reformation celebrations.

Performers:

Hans-Christoph Rademann – conductor
Isabel Jantschek – soprano
Annekathrin Laabs – alto
Tobias Mäthger – tenor
Martin Schicketanz – bass
Dresdner Kammerchor
Wrocław Baroque Orchestra
Jarosław Thiel – artistic director

Venue:
NFM, Red Hall
plac Wolności 1, 50-071 Wrocław
Pricelists:
from 5 to 50 zł

Hans-Christoph Rademann was born on August 5, 1965, in Dresden. He is currently the director of the Dresdner Kammerchor and the Internationale Bachakademie Stuttgart, serves as Professor of Choral Conducting at the Hochschule für Musik Carl Maria von Weber, in Dresden, and holds the position of Artistic Director of the Erzgebirge Music Festival. Rademann studied at the Kreuzgymnasium, was a member of the Kreuzchor, and studied choral and orchestral conducting at the Musikhochschule Dresden. During his studies, he founded the Dresdner Kammerchor and still serves as its director. From 1999 to 2004 he served as the chief conductor of the Norddeutscher Rundfunk Chorus, and from 2007 to 2015 he was the chief conductor of the RIAS Kammerchor. Rademann has been Akademie Director of the Internationale Bachakademie Stuttgart, Since June 2013. His awards and Honours include the Johann-Walter-Plakette of the Sächsischer Musikrat 2014, the Saxon Constitutional Medal, 2008, and the Patrons’ Award and Art Prize of the City of Dresden, in 1994 and 2014 respectively. His recording initiatives have received the German Record Critics’ Award, the Grand Prix du Disque, 2002, Diapason d’Or, in 2006 and 2011, CHOC de l’année 2011, and Best Baroque Vocal Award 2014.

Jarosław Thiel is a graduate of the Poznań School of Talents. He studied cello at both the Academy of Music in Poznań and the Academy of Music in Łódź, Poland. Since 1997, he has been focused on historical performance. He completed his post-graduate studies in Baroque cello at the Universität der Künste in Berlin, having worked with Phoebe Carrai and  Markus a Möllenbeck. Thiel has participated in master classes run by Christine Kypranides at the Dresdner Akademie für Alte Musik and has collaborated with the most important Polish ensembles specialising in early music. Thiel has been the first cellist with the Dresdner Barockorchester and a member of the Festspiel Orchester Göttingen led by Laurence Cummings since 2000. He also works with leading German ensembles, such as Cantus Cölln, Akademie für Alte Musik Berlin, and Lautten Compagney. He regularly performs as a soloist and chamber musician in connection with festivals of early music world-wide. He currently teaches Baroque cello at the Academy of Music in Poznań and the Summer Academy of Early Music in Lidzbark Warmiński, Poland.  In 2006 he was appointed Artistic Director of the Wrocław Baroque Orchestra.

Johann Sebastian Bach was born on March 31, 1685, in Eisenach, Thuringia, Germany.  At the age of ten he was orphaned after the death of both of his parents and sent to live with his older brother Johann Christoph, a church organist in Ohrdruf. Young Bach had a beautiful singing voice and it helped him to access a place at school in Lüneburg. There he was greatly influenced by the local organist, George Böhm. In 1703, he secured his first job as a musician at the court of Duke Johann Ernst in Weimar.

Bach’s reputation as a performer spread and his technical skill led to his selection as the organist at the New Church in Arnstadt. However, in 1707, Bach was glad to leave Arnstadt for an organist position in Mühlhausen. After a year at the Church of St. Blaise in Mühlhausen, Bach was then appointed organist at the court of the Duke Wilhelm Ernst in Weimar. In 1717, Bach accepted another position with Prince Leopold of Anhalt-Cöthen. While at Cöthen, he devoted much of his time to instrumental music. Yet, he had to turn his attentions to finding work when the prince dissolved his orchestra in 1723.

It was at that point that Bach signed a contract to become the new organist and teacher at St. Thomas Church, in Leipzig. Due to circumstances at St. Thomas, new music was needed for services each week and Bach occupied himself with writing cantatas. It was during his tenure at Leipzig that he wrote the music for this evening’s programme.

The line of text that begins Cantata BWV 79 comes from Psalm 84. To match the line "God, the Lord, is sun and shield" Bach wrote a chorus more military in nature than any other of his pieces. Because Reformation Sunday had traditionally been the most militant of Lutheran festivals, the character of Cantata BWV 79 is not only appropriate for the occasion, it is also one of Bach’s most thrilling and energetic works.

Another grand reformation Cantata BWV 80 “Ein’ feste Burg” was begun in Weimar as a chamber cantata for the first Sunday in Lent. The corresponding reading was the passage from Luke where Christ throws out the devil. Bach expanded this cantata early in his tenure at Leipzig. He added a motet movement using the first verse of the chorale, added a soprano, and wrote a large chorale movement with strings and chorus after the soprano recitative and aria. The final chorale was then modified to fit the last verse of the chorale instead of the first. The whole piece is a reflection on the struggle between good and evil.

In the 1730’s Bach wrote four masses in Latin, and it is thought that he did so in order to strengthen the ties with the Catholic King August III, in Dresden. These Missae breves, also referred to as the ‘Lutheran’ or ‘Short’ masses, consist of only a Kyrie and Gloria. In Leipzig, as opposed to other Lutheran localities, an uncharacteristic amount of Latin was used in church, though a few traditional Latin texts, such as the Magnificat and excerpts of the Mass liturgy, were not completely banned from worship during the Protestant Reformation. A Latin mass, it was thought, could be used on far more occasions, than the German cantata due to its neutral character and Bach is known to have drawn the material for his masses from his own favourite cantatas.

 

Alixandra Porembski, English Language Annotator

NFM Audio Player - obsługa komponentu Event

NFM Video Panel - obsługa komponentu Event

Dresdner Philharmonie
Boris Giltburg / Krzysztof Urbański
09.05
Fri.
7:00 PM
NFM, ORLEN Main Hall
Buy ticket
Last tickets!
Sergei Babayan & NFM Wrocław Philharmonic
Jacek Kaspszyk
10.05
Sat.
6:00 PM
NFM, ORLEN Main Hall
Eine kleine Nachtmusik
 
11.05
Sun.
6:00 PM
NFM, Red Hall
West Side Story

NEOJIBA Orchestra

Ricardo Castro / Guido Sant’Anna
19.05
Mon.
7:00 PM
NFM, ORLEN Main Hall
Chicago Symphony Orchestra I
Jaap van Zweden
22.05
Thu.
7:00 PM
NFM, ORLEN Main Hall
Chicago Symphony Orchestra II
Jaap van Zweden
23.05
Fri.
7:00 PM
NFM, ORLEN Main Hall
Maciej Kieres in memoriam
Ars Cantus / Wrocław Baroque Ensemble
26.05
Mon.
7:00 PM
NFM, Red Hall
Titan
NFM Wrocław Philharmonic Season Finale
30.05
Fri.
7:00 PM
NFM, ORLEN Main Hall
Krzysztof Jabłoński & Lower Silesian Philharmonic Orchestra
Marek Wroniszewski
06.06
Fri.
7:00 PM
NFM, ORLEN Main Hall
In Thy Kingdom
Andrzej Kosendiak / Wrocław Baroque Ensemble
06.06
Fri.
7:00 PM
Świdnica, Holy Trinity Church of Peace
Giovanni Sollima & Cello Chronicles
NFM Leopoldinum Orchestra Season Finale
13.06
Fri.
7:00 PM
NFM, ORLEN Main Hall
Jean-Guihen Queyras and Schumann
Jarosław Thiel / Wrocław Baroque Orchestra
20.06
Fri.
7:00 PM
NFM, ORLEN Main Hall, reversed stage
Music of the 17th-century Wrocław from the Daniel Sartorius Collection
Andrzej Kosendiak / Wrocław Baroque Ensemble
28.06
Sat.
6:00 PM
Wrocław, Town Hall, Principal Room
Variations

NFM Wrocław Philharmonic Season Opening

Jacek Kaspszyk / Karol Mossakowski
03.10
Fri.
7:00 PM
NFM, ORLEN Main Hall
Pelléas et Mélisande

Yutaka Sado & NFM Wrocław Philharmonic

 
10.10
Fri.
7:00 PM
NFM, ORLEN Main Hall
Prizewinners of the 19th International F. Chopin Piano Competition
 
24.10
Fri.
7:00 PM
NFM, ORLEN Main Hall
Checkmate
Christoph Eschenbach / NFM Wrocław Philharmonic
07.11
Fri.
7:00 PM
NFM, ORLEN Main Hall
Harmony of the World
Daniel Lozakovich / Christoph Eschenbach
21.11
Fri.
7:00 PM
NFM, ORLEN Main Hall
The Planets
Bassem Akiki / NFM Wrocław Philharmonic
28.11
Fri.
7:00 PM
NFM, ORLEN Main Hall
Christoph Eschenbach & Rudolf Buchbinder
NFM Wrocław Philharmonic
05.12
Fri.
7:00 PM
NFM, ORLEN Main Hall
Unfinished Stories
Alban Gerhardt / Mario Venzago
12.12
Fri.
7:00 PM
NFM, ORLEN Main Hall
The Rite of Spring
Karl-Heinz Schütz / Pascal Rophé
16.01
Fri.
7:00 PM
NFM, ORLEN Main Hall
Stabat Mater
Christoph Eschenbach
30.01
Fri.
7:00 PM
NFM, ORLEN Main Hall
Also sprach Zarathustra
Pascal Rophé / NFM Wroclaw Philharmonic
13.02
Fri.
7:00 PM
NFM, ORLEN Main Hall
Daniel Hope & NFM Wrocław Philharmonic
 
27.02
Fri.
7:00 PM
NFM, ORLEN Main Hall
Beethoven's Manifesto
Elena Bashkirova / Christoph Eschenbach
06.03
Fri.
7:00 PM
NFM, ORLEN Main Hall
Homecoming
Giancarlo Guerrero / NFM Wrocław Philharmonic
13.03
Fri.
7:00 PM
NFM, ORLEN Main Hall
Twilight of the Tyrants
Ilia Raiskin / Daniel Raiskin
20.03
Fri.
7:00 PM
NFM, ORLEN Main Hall
Enigma
Gábor Boldoczki / Andrés Salado
27.03
Fri.
7:00 PM
NFM, ORLEN Main Hall
Eternal Songs
Yaroslaw Shemet / NFM Wrocław Philharmonic
10.04
Fri.
7:00 PM
NFM, ORLEN Main Hall
Abel Selaocoe & NFM Wrocław Philharmonic
 
17.04
Fri.
7:00 PM
NFM, ORLEN Main Hall
Winner of the 1st prize at the 19th International F. Chopin Piano Competition
Christoph Eschenbach / NFM Wrocław Philharmonic
08.05
Fri.
7:00 PM
NFM, ORLEN Main Hall
New Hope
Leonhard Baumgartner / Sébastien Rouland
29.05
Fri.
7:00 PM
NFM, ORLEN Main Hall
Bruckner's Phenomenon - NFM Wrocław Philharmonic Season Finale

Christoph Eschenbach / NFM Wrocław Philharmonic
05.06
Fri.
7:00 PM
NFM, ORLEN Main Hall
Newsletter Melomana
We announce new concerts, we remind you about the start of ticket sales, we let you know about the last vacancies
Register