Zespół Muzyki Dawnej Diletto / fot. Bogusław Beszłej
Forum Musicum
Andrzej Siewiński – opera omnia
17.08.2018
Fri.
8:00 PM
NFM, Red Hall
Programme:

A. Siewiński 4 Motettae a 7  from Officium parvum Immaculatae Conceptionis Beatissimae Virginis Mariae: Salve, mundi Domina; Salve, arca foederis; Salve, puerpera; Salve, horologium
A. Siewiński Missa pro defunctis a 9
Eia, mea labia; Salve, Virgo sapiens; Salve, urbs refugii; Salve, Virgo florens – chorale

 

The project is part of Poland's Regaining of Independence Centenary celebrations.

Performers:

Anna Moniuszko – conductor
Diletto Early Music Ensemble:
Marta Wróblewska, Bożena Bojaryn-Przybyła –  sopranos
Sławomir Bronk, Marcin Liweń – altos
Maciej Gocman, Piotr Gałek – tenors
Maciej Falkiewicz, Piotr Zawistowski – basses
Małgorzata Józefowska, Katarzyna Pilipiuk – oboes
Paweł Polak, Joanna Gręziak – violins
Elżbieta Jendrysik – bassoon
Maciej Łukaszuk – cello
Rafał Makarski –  double bass
Krzysztof Garstka – chest organ
 
Schola Gregoriana Sancti Casimiri
Mariusz Perkowski – cantor
Marcin Szaciłowski, Łukasz Olechno, Adam Bańkowski

Venue:
NFM, Red Hall
plac Wolności 1, 50-071 Wrocław
Pricelists:
from 20 to 30 zł

The 1990s brought an unprecedented boom in interest in early music and related historical performance. This trend quickly penetrated the Polish musical field, triggering a series of new performances of works by local masters of the Renaissance and Baroque periods. It also gave the impulse to study and try to document previously unknown monuments of Polish music.

Years of research have shown an extremely rich musical life of the former Polish-Lithuanian Commonwealth. From the darkness of the archives wonderful works of both authors already known and those so far forgotten have been extracted. An extremely interesting composer, whose work awaited discovery, is Andrzej Siewiński, who lived at the turn of the 17th and 18th centuries (died in 1726), most probably a member of the then-existing Jesuit ensemble in Krakow. His works have been preserved in the form of manuscripts of vocal and orchestral voices in the Diocesan Library in Sandomierz. A concertante technique was used in them, which is why they are a valuable testimony to the splendour of the early Polish music.

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