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August 2018
8:00 PM
NFM, Chamber Hall
plac Wolności 1, 50-071 Wrocław

Fantasiae, cantiones et choreae – Polish music of the 16th century


Corina Marti – harpsichord
Michał Gondko – lute


Anonymous Rex (Tablature of Jan of Lublin)
Mikołaj z Krakowa (?) Bona cor[ea?] (Tablature of Jan of Lublin)
Benedictus de Drusina Fantasia (Tablature of Benedictus de Drusina, 1556)
Mikołaj z Krakowa Ave ierarchia (Tablature of Jan of Lublin)
Anonymous Polnischer Tantz (Munich partbooks )
Mikołaj Gomółka Kleszczmy rękoma (Melodiæ Ná Psalterz Polski, 1580)
Matthäus Waissel Fünf Polnische Täntze (Tablature of Matthäus Waissel)

Mikołaj z Krakowa (?) Praeambulum in G per B (Tablature of Jan of Lublin)
Mikołaj z Krakowa Zaklolam szÿa Tharnem (Tablature of Jan of Lublin)
Ambroży Albert Długoraj Chorea polonica (Leipzig Tablature)
Anonymous Cantio polonica (Leipzig Tablature)
Anonymous Jeszcze Marczynye (Tablature of Jan of Lublin)
Mikołaj z Krakowa (?) Haÿduczkÿ (Tablature of Jan of Lublin)

Anonymous Praeambulum super d (Tablature of Jan of Lublin )
Ludwig Senfl ()Vita in ligno moritur (Tablature of Jan of Lublin)
Antonio de Ribera Rex autem David (Tablature of Jan of Lublin)

Wacław z Szamotuł Kryste dnyu nassey swyatlosci
Anonymous Potorae Koniginn inn Polen Tantz (Tablature of Emanuel Wurstisen)
Anonymous Fantasia primi toni (Gdańsk Organ Tablature)
Anonymous Ein gutter polnischer Tantz (Tablature of Christoph Löffelholz)

The project is part of Poland's Regaining of Independence Centenary celebrations.

Michał Gondko / fot. archiwum artysty

 The sixteenth century is traditionally considererd to have been Poland’s “Golden Age”. Before 1500, the first Jagiellonian rulers suceeded in attaining for their kingdom the status of a major player in European politics.

This, and the general economic prosperity, enabled their sixteenth-century heirs to enrich the ancestors’ legacy with a new cultural dimension in accordance with the ideals of humanism and the latest artistic trends imported from the leading cultural centres in Italy, Germany and Flanders. The early music of Poland has been described as “Polish perspective of European music” (M. Perz) and the meaning of this may be grasped from a look into the monumental keyboard tablature once owned by a certain Johannes de Lublin at the Canons Regular monastery in Kraśnik. One of the largest of its kind in Europe, this anthology reveals an impressive panorama of repertoire to which its scribes had access in Poland during the years 1537-48: from abstract, improvisatory forms, through arrangements of sacred and secular vocal music, to dances.

  • Normal ticket
  • Reduced ticket
30 PLN
20 PLN
Bilety na to wydarzenie nie podlegają zwrotowi.

NFM – City of Wrocław institution of culture co-managed by:

Wdrożenie e-usług w Filharmonii im. Witolda Lutosławskiego we Wrocławiu - etap 2 współfinansowany jest przez Unię Europejską ze środków Europejskiego Funduszu Rozwoju Regionalnego w ramach Regionalnego Programu Operacyjnego dla województwa dolnośląskiego na lata 2007 - 2013 oś priorytetowa 6. Wykorzystanie i promocja potencjału turystycznego o kulturalnego Dolnego Śląska (Turystyka i Kultura), działanie 6.5. Działania wspierające infrastrukturę turystyczną i kulturową.