Aleksander Wnuk / fot. Dominika Wiak
Aleksander Wnuk / fot. Dominika Wiak
Musica Electronica Nova
Ritual: En Face
30.05.2021
Sun.
6:00 PM
NFM, Red Hall
Programme:

Sarah Nemtsov En Face: Solitude for solo percussionist (2020)**
Ivo Malec Triola ou Symphonie pour moi-même: I. Turpituda for electronics (1978)
Nicole Lizée Katana of Choice for solo extended drum-kit, electronics and video (2014, 2016) *
Ivo Malec Triola ou Symphonie pour moi-même: III. Nuda for electronics (1978)
Piotr Peszat Jenny's Soul. Or Dirk's? for solo percussionist, audio playback and video (2016, 2020) **

Time: 85'

Download programme
Performers:

Aleksander Wnuk – persussion
Pierre Jodlowski – sound projection
Piotr Peszat – multimedia


Venue:
NFM, Red Hall
plac Wolności 1, 50-071 Wrocław
Tickets:
from 25 to 35 zł

Should I tell you that my room is walled up?[…] In what way might I leave it? Here is how: Goodwill knows no obstacle; nothing can stand before deep desire. I have only to imagine a door, a door old and good, like in the kitchen of my childhood, with an iron latch and bolt. There is no room so walled up that it will not open with such a trusty door, if you have but the strength to insinuate it. Bruno Schulz

Solitude – we know this state only too well. And the rituals of it.
The man moves in his room, where he is both protected and defenceless. En Face is about a special form of choreography. And at the same time – inwardness. He has no mallets (the usual ‘weapon’ of a drummer), only hands – they become ears. He perceives everything very intensely and intimately. It becomes ambiguous whether the man is in his room, or in his mind.

In narcotic space, it also becomes unclear if the memory keeps the real state of things, if emotions are true. How to get back to a safe zone? Or this is the one – yet another state of solitude…
Eventually, the real and the phantasmic stand before us, similar and competitive to each other. And we are lost. We may prefer that other reality – virtual, imagined, the inner reality. Then we can open any door we want.

Aleksander Wnuk

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