Alessanro Deljavan / fot. Jean-Baptiste-Millot
Alessanro Deljavan / fot. Jean-Baptiste-Millot
Orchestral concerts
Never Ending Transience
11.02
Sat.
6:00 PM
NFM, Chamber Hall
Programme:

M. Chyrzyński Ukiyo-E
O. Respighi Antiche danze ed arie per liuto – Suite No. 3: 16th and 17th Centuries
F. Bottigliero Variazioni fantasia su un tema di Corelli  (premiere)
***
A. Webern Langsamer Satz
F. Bottigliero Bodensee Suite (Polish premiere)

Performers:

Francesco Bottigliero – conductor
Christian Danowicz – violin
Alessandro Deljavan – piano
NFM Leopoldinum Orchestra

Duration:
80 minut
Venue:
NFM, Chamber Hall
plac Wolności 1, 50-071 Wrocław
Tickets:
from 20 to 55 zł

During the concert of the NFM Leopoldinum Orchestra under the baton of the sought-after conductor and composer Francesco Bottigliero, various compositions from the 20th and 21st centuries, including those closest to the present day, will be performed. The repertoire will feature such composers as Ottorino Respighi, Anton Webern and Marcel Chyrzyński. 

“Without succumbing to despondency, like a calabash flowing with the current of a river, this is what we call a world that passes.” This is a quotation from the Tales of the Transient World by Asai Rioia. Chyrzyński’s inspiration for writing the Ukiyo-E were Japanese woodcuts of the same name, i.e. paintings of the passing world. The piece is in fact a deconstruction of the woodcut – it consists of ten movements, the first of which is the final version of the work. The following ones are components of the first image, symbolizing the individual colours of ukiyo-e. In the compositions of Ottorino Respighi and Francesco Bottigliero, the musicians will turn to the past. Antiche danze ed arie per liuto – Suite No. 3: 16th and 17th Century composed in 1931 is an expression of Respighi’s interest in lute music from the turn of the Renaissance and Baroque. However, the composer paints it in his own way, full of colour characteristic of his compositional language. Bottigliero in the Variazioni fantasia su un tema di Corelli, which will be premiered this evening, pays tribute to one of the leading artists of the Baroque era, Arcangelo Corelli. The concert will be crowned by the Bodensee Suite also by Bottigliero. 

Webern composed the Langsamer Satz in June 1905, but the work was first performed publicly almost sixty years later in Seattle. It is music that was supposed to express the composer’s feelings towards Wilhelmine Mörtl. The inspiration came to him after one of the hiking trips in Lower Austria with his beloved. The work, originally composed for string quartet, will be performed this evening in a version for string orchestra.

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