Until the end of the sixteenth century, instrumental music was based on vocal patterns. No wonder that when instrumental music became a genre in its own right, if faced the same requirements that vocal music had been expected to fulfil: to paint poetic images and reflect on the state of human spirit. This is how the Baroque prototype of Mendelssohnian “songs without words” was born. At Forum Musicum, this fascinating repertoire created during the Thirty Years War – the bloodiest conflict that Europe saw before the twentieth century – will be presented by the critically acclaimed Concerto Scirocco.
Programme:
Songs without Words from the 17th century Instrumental Repertoire
Biagio Marini Canzon VIII a sei from Sonate, symphonie, canzoni, passe'mezzi, baletti, corenti, gagliarde e retornelli op. 8
Marco Uccellini Symphonia 34 „A gran Battaglia”from Sinfonie Boscarecie op. 8
Samuel Scheidt Canzona „Es-ce mars” from Ludi Musici I
Anonim Division on Barafostus’ Dreame from Thomas Tunstall Virginal Book
Andrea Falconieri Fantasia detta la Portia from Il primo libro di canzone, sinfonie, fantasie, capricci, brandi, correnti, gagliarde, alemane, volte
William Brade Corale a Violino Solo from the the F. Scharle manuscript
William Byrd Sermone blando
Alessandro Piccinini Toccata from Intavolatura di liuto et di chitarrone. Libro primo
Samuel Scheidt Canzona „Bergamasca” SSWV 6 from Ludi musici I
Giovanni Antonio Bertoli Sonata settima „Passacaglia” from Compositioni musicali
Antonio Ferro Sonata a 5 from Sonate a due, tre, quattro op. 1
Marco Uccellini Aria decima terza sopra „Questa bella sirena” from Sonate, correnti et arie op. 4
Samuel Scheidt Galliard battaglia SSWV 59 from Ludi musici I
Performers:
Concerto Scirocco:
Esther Crazzolara – violin
Giulia Genini – dulcian, recorders, artistic direction
Pietro Modesti – cornett
Susanna Defendi, Nathaniel Wood – sackbuts
Luca Bandini – violone
Giovanni Bellini – theorbo
Michele Vannelli – chest organ, harpsichord
Pricelists:
from 10 to 50 zł
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