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12
September 2021
Sunday
6:00 PM
Main Hall
plac Wolności 1, 50-071 Wrocław

The Romantic Era

Performers:

Howard Arman–  conductor
Anna-Maria Palii –  soprano
Merit Ostermann – alto
Andrew Lepri Meyer – tenor
Bernhard Schneider – tenor
Justus Zeyen – piano
Bavarian Radio Chorus

Programme:

Franz Schubert Ständchen D 920, Der Gondelfahrer D 809, Nachthelle D 892, Mirjams Siegesgesang D 942
Peter Cornelius Der Tod, das ist die kühle Nacht from Drei Chorgesänge op. 11 
Johannes Brahms Dein Herzlein mild op. 62 nr 4, Waldesnacht op. 62 nr 3, Zigeunerlieder op. 103

Time: 70'

This project is part of the commemoration of the centennial of the regaining of independence and rebuilding Polish statehood. 

Dyrygent Howard Arman
Howard Arman / fot. Astrid Ackermann

The concert crowning this year’s Wratislavia Cantans will be a meeting with the wonderful Chor des Bayerischen Rundfunks. The artists will sing works by three German composers of the Romantic era: Franz Schubert, Peter Cornelius, and Johannes Brahms.

Schubert made history primarily as the author of excellent series of songs for a solo voice with an orchestra, such as Die Schöne Mullerin or interreise. But he also composed songs for choir and piano. During the concert, we will hear four of them: Ständchen D. 920, Der Gondelfahrer D. 809, Nachthelle D. 892 and the most extensive Mirjams Siegesgesang D. 942. These works will certainly be a treat to admirers of Schubert, as they are Schbert at his best, with a sense of drama and an enormous melodic gift.

Cornelius is a composer much less popular than Schubert and Brahms. His most famous work is the comic opera The Barber of Baghdad. At Wratislavia Cantans, the Chor des Bayerischen Rundfunks will present the raw and somewhat dark Der Tod, das ist die kühle Nacht, the first song from Drei Chorgesänge op. 11.

The two choral songs by Brahms from Op. 62: Dein Herzlein mild no. 4 and Waldesnacht no. 3 are frugal in character. The concert will end with the Zigeunerlieder (Gypsy songs) op. 103. Here Brahms used Hungarian folk texts translated into German by his friend Hugo Conrat. These light and melodic pieces belong to the same trend in Brahms’s work as the Hungarian Dances, they are just as popular and gladly performed by choirs.

 

Tickets:
SEAT TYPE KINDS OF TICKETS PRICES
VIP
  • Bilet VIP
180 PLN
I kategoria
  • I kat - Bilet normalny
  • I kat - Bilet ulgowy
150 PLN
135 PLN
II kategoria
  • II kat - Bilet normalny
  • II kat - Bilet ulgowy
120 PLN
105 PLN

NFM – City of Wrocław institution of culture co-managed by:

Wdrożenie e-usług w Filharmonii im. Witolda Lutosławskiego we Wrocławiu - etap 2 współfinansowany jest przez Unię Europejską ze środków Europejskiego Funduszu Rozwoju Regionalnego w ramach Regionalnego Programu Operacyjnego dla województwa dolnośląskiego na lata 2007 - 2013 oś priorytetowa 6. Wykorzystanie i promocja potencjału turystycznego o kulturalnego Dolnego Śląska (Turystyka i Kultura), działanie 6.5. Działania wspierające infrastrukturę turystyczną i kulturową.