Cameristi della Scala / fot. mat. prasowe zespołu
Orchestral concerts
Cameristi della Scala & Daniela Pini
14.02.2022
Mon.
7:00 PM
NFM, Main Hall
Programme:

A. Vivaldi
Concerto in D minor for strings RV 127
Concerto in A minor for two violins RV 522 op.3. no. 8 from L’estro armonica
Agitata da due venti – aria from Griselda RV 718
Concerto in G minor for strings RV 157
Armatae face et anguibus dalla – aria from Juditha triumphans RV 644

***
F. Durante Concerto No. 2 in G minor for strings
A. Vivaldi Vedrò con mio diletto – aria from Giustino RV 717
F. Geminiani  Concerto grosso in D minor op.1 no. 12, H. 143 “La follia” after Sonata op. 5 no. 12 A by Corelli
G.F. Handel Ombra mai fu and Crude furie – arias from Serse HWV 40

Performers:

Ernest Hoetzl – dyrygent
Daniela Pini – mezzosopran
Cameristi della Scala

Venue:
NFM, Main Hall
plac Wolności 1, 50-071 Wrocław
Tickets:
from 40 to 150 zł

The repertoire of the concert featuring Cameristi della Scala and the excellent mezzo-soprano Daniela Pini, conducted by Ernest Hoetzl, will include works by composers from the Baroque era – especially from its later heyday. We will hear the compositions by Antonio Vivaldi and George Frideric Handel, showing the richness of Baroque craftsmanship, including instrumental concerti and operatic arias, as well as those coming from oratorios.

Antonio Vivaldi became famous mainly as the author of a staggering number of concerts – over the years he wrote over four hundred of them. He also focused on other genres, for example vocal music, such as opera or oratorio. The strings play a special role in his pieces, being the basis of his works small and big. This evening, the musicians will present Vivaldi’s concerto legacy: Concerto in D minor, Concerto in G minor, Concerto in B minor for four violins and arias from his well-known operas: Griselda, Il Giustino, as well as the Juditha triumphans oratorio based on the biblical Book of Judith.

Francesco Durante, a representative of the Neapolitan school, was identified mainly with Baroque sacred music. Indeed, numerous masses, psalms, and hymns constitute a large part of his oeuvre. However he did not shy away from secular instrumental pieces, such as the solemn version of Concerto No. 2 in G minor for strings. The term concerto grosso is directly related to Arcangelo Corelli – a composer who is credited with elaborating a perfect pattern of form for a small group of solo instruments and an orchestra. Tonight’s programme includes a piece of this type by one of his students – Francesco Geminiani. The dramatic and expressive Concerto grosso in D minor op. 1 no. 12 “La Follia” is based on the famous Sonata op. 5 no.12 by Corelli. The arias Ombra mai fu and Crude furie from George Frideric Handel’s opera Serse will crown the Valentine evening at the NFM. Although it was not successful in the eighteenth-century England, its solo vocal parts are still popular today and are often performed as independent pieces.

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